Game Review: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Look at 90s Rave Culture

Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. In no time, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Duel

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

Just a single key story turn, but it leads to a comically executed rampage on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

The film is in British and Irish cinemas from November 17.