It’s been quite some time since the public caught a glimpse of Daniel Day-Lewis. After he announcement in 2017 declaring he would cease to pursue acting, just before the release of Phantom Thread, the actor quietly faded from view. However, during his hiatus, his reputation expanded further.
Largely, this legend centers on his preferred style of working. Being an actor known for disappears into the roles he plays – for example, during Lincoln, he had Steven Spielberg call him “Mr. President” throughout the shoot – audiences has become more fascinated with his process. Is it true he really send messages to co-star Sally Field in character as Lincoln? Was it accurate that he only eat game he hunted during Last of the Mohicans? And did he demand receiving food via spoon while filming My Left Foot?
Madness in their method: have we lost interest with actorly excess?
Now, Day-Lewis has returned in the limelight, somewhat reluctantly, for his new film Anemone. And he is taking this chance to vocalise his frustration at how the Method technique is perceived. “I’m a little cross nowadays to hear various individuals gobbling off and saying things like ‘fully embraced the Method’, which I think suggests that someone is acting insane in a drastic way,” he told the New York Times. “Everyone tends to focus on the less important aspects of acting, and these elements typically include some sort of self-flagellation or an experience that causes extreme unease or mental instability. However, in the life for a performer, it has to principally be about the internal work.”
Frankly, it appears like the actor has emerged from seclusion only to discover shocked by the acting community that has developed in his image. When you are regarded as one of the greatest actors in history, and your process includes headbutting a dummy to the point of injury (in Gangs of New York) or spending 48 hours in solitary confinement deprived of sustenance (during In the Name of the Father), it’s natural that other actors will attempt to emulate that example by imitating your hero.
In other words, we now live in a landscape populated by half-cocked imitators of Day-Lewis who strive only to show the world the sheer amount of effort they invest in a character. At the shallow end of the pool there are performers such as Lady Gaga, who was determined to win an Oscar for House of Gucci that she dedicated the entire promotion trying to convince everyone that she became an Italian native for a year and a half in preparation.
Then we have Jared Leto, who decided to deeply embed himself in the character as the Joker (for Suicide Squad) by sending “horrifying” presents to his castmates. These, according to various accounts, included dead pigs and rats to anal beads and personal hygiene products, though Leto denied those worst excesses. And then, of course, we have Jim Carrey, who went so deep into Andy Kaufman for Man on the Moon that they literally managed to get a full-length documentary from behind-the-scenes footage of him causing difficulties as impossible as he could for everyone around him.
The foremost practitioner of the Method currently seems to be Jeremy Strong (formerly Day-Lewis’s assistant), whose process while filming Succession was so rigorously detailed that it became the subject of a critical New Yorker profile, including statements from individuals who were worried about his conduct (“It’s the cost on himself that worries me,” remarked co-star Brian Cox) or annoyed beyond all measure by his actions (“I recall him causing others roll their eyes,” said an anonymous cast member).
Daniel Day-Lewis says he ‘never intended to retire, really’
We have numerous additional cases. Andrew Garfield abstained from sex over half a year for Silence. Leonardo DiCaprio slept in an animal carcass during The Revenant. It’s quite possible that Austin Butler still speaks like Elvis Presley, three years after the movie’s release. Each of these instances, in part, aims to evoke the dedication in which Day-Lewis takes his craft.
Moreover, although his rebuttal to critics of the Method might be noble, a short publicity tour might not be enough to change anyone’s mind, let alone their behaviour. Perhaps if he wishes to remind people the true essence of the Method, or to show them what it can achieve, then Day-Lewis’s best bet is to simply begin producing more films. Certainly we could all support that idea.
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